May 24, 2013

AH YOUR FACE

(Source: yunaaakim, via magicaleggplant)

8:24pm  |   URL: http://tmblr.co/Z_izJyllVto0
  
Filed under: Yu-Na Kim bb 
May 24, 2013
christ-fuck:

l-acus:

jessica stam in “left in darkness” by willy vanderperre for another magazine, fall 2012.

christ-fuck:

l-acus:

jessica stam in “left in darkness” by willy vanderperre for another magazine, fall 2012.

(via dyaphanum)

May 24, 2013
"First thing we should do / if we see each other again is to make / a cage of our bodies—inside we can place / whatever still shines."

— Nick Flynn, from “forgetting something” (via proustitute)

(via malletmouth)

May 24, 2013

(Source: aclockworkpink, via ameliapontes)

May 24, 2013
CRYING OMG OMG

CRYING OMG OMG

(Source: arbysofficial, via tastykake)

7:58pm  |   URL: http://tmblr.co/Z_izJyllPL5h
  
Filed under: LOL 
May 23, 2013

(Source: thegentlemansquarter, via chardonette)

11:34pm  |   URL: http://tmblr.co/Z_izJylhqWPs
  
Filed under: music 
May 23, 2013

(via sandwichsinmayonesa)

May 23, 2013

inachevee:

Concerto for Piano and Orchestra No. 24 in C minor, K.491: I. Allegro

Glenn Gould, Robert Craft & CBC Symphony [Schoenberg & Mozart: Piano Concerto, 1962]

OBSESSED. (With the 3rd movement, most of all.)

(Source: heartinwinter)

11:28pm  |   URL: http://tmblr.co/Z_izJylhp1QE
  
Filed under: Mozart music glenn gould 
May 23, 2013

(Source: caitlin-eve-x, via jennaonline)

May 23, 2013
Glass Heart (bells for Sylvia Plath)
The Davis is extremely pleased to present the debut of this interactive installation by Assistant Professor of Music Composition and Theory Jenny Olivia Johnson. Specially commissioned for the Sight and Sound Gallery, dedicated to exploring concepts of space across media, this innovative work is the first site-specific project to intimately integrate music and visual art. 
(How frail the human heart must be— a mirrored pool of thought. So deep and tremulous an instrument of glass that it can either sing, or weep.)— Sylvia Plath 
Inspired by these words from a poem that Sylvia Plath wrote in 1947 at the age of fourteen, as well as by the intensity and depth of the colors in Sol LeWitt’s 1991 print suite, All Combinations of Red, Yellow, and Blue, with Scribbles, composer Jenny Olivia Johnson created a new cycle of songs, one of which provides the basis for this installation. By deftly incorporating fragments of poetry, haunting vocals, and the experience of sound that eddies around the visitor in unexpected ways, Glass Heart (bells for Sylvia Plath) evokes the unpredictability and uncontrollability of memory. A daring foray into the potential of intersecting emotional undertones among distinct pieces of literature, music, and visual art, this work’s openness to mutation and moments of cacophony offers an immersive experience in which we may recognize personal connections. Johnson’s “…bell jars, repurposed as a choir of singing glass hearts,” powerfully suggest the potential resonance of human emotion, at its most communal and empathic.
Curated by Elaine Mehalakes, Kemper Curator of Academic Programs, Glass Heart (bells for Sylvia Plath) has been generously supported by The Mary Tebbetts Wolfe ’54 Program Fund and the Marjorie Baum Fund.

Glass Heart (bells for Sylvia Plath)

The Davis is extremely pleased to present the debut of this interactive installation by Assistant Professor of Music Composition and Theory Jenny Olivia Johnson. Specially commissioned for the Sight and Sound Gallery, dedicated to exploring concepts of space across media, this innovative work is the first site-specific project to intimately integrate music and visual art.

(How frail the human heart must be—
a mirrored pool of thought. So deep
and tremulous an instrument
of glass that it can either sing,
or weep.)— Sylvia Plath

Inspired by these words from a poem that Sylvia Plath wrote in 1947 at the age of fourteen, as well as by the intensity and depth of the colors in Sol LeWitt’s 1991 print suite, All Combinations of Red, Yellow, and Blue, with Scribbles, composer Jenny Olivia Johnson created a new cycle of songs, one of which provides the basis for this installation. By deftly incorporating fragments of poetry, haunting vocals, and the experience of sound that eddies around the visitor in unexpected ways, Glass Heart (bells for Sylvia Plath) evokes the unpredictability and uncontrollability of memory. A daring foray into the potential of intersecting emotional undertones among distinct pieces of literature, music, and visual art, this work’s openness to mutation and moments of cacophony offers an immersive experience in which we may recognize personal connections. Johnson’s “…bell jars, repurposed as a choir of singing glass hearts,” powerfully suggest the potential resonance of human emotion, at its most communal and empathic.

Curated by Elaine Mehalakes, Kemper Curator of Academic Programs, Glass Heart (bells for Sylvia Plath) has been generously supported by The Mary Tebbetts Wolfe ’54 Program Fund and the Marjorie Baum Fund.

May 23, 2013

It’s 3:30 in the morning. I’ve already slept for six hours. My body finally said “LOL, NO” and now I’m sick.

Today is my only day off so I’m going to try to rest as much as possible because all my other coworkers are on vacation so there’s no one to pick up my tutoring appointments. :( Ughhhhh this happens at the end of every semester.

3:34am  |   URL: http://tmblr.co/Z_izJyldwcLh
Filed under: useless post wah 
May 21, 2013

Just took me 2 hours to read and make comments on a student portfolio. 5 more to go and then I can finish Hikaru No Go!!! Then two weeks of tutoring and draft reviews, and a month of grading 3000 writing exams, counseling students who failed, grading appeals, counseling students who still failed, and then unemployment.

Liked posts on Tumblr: More liked posts »